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TOMORROW, the Eighth Doctor gets a new friend to help him face a dangerous infection...
I’m not the only one who gets horrified when a TV
series begins its dark descent to a shattering climax, am I? Just checking. Whilst
there’s loads of drama, it’s not uneasy to watch. There’s some of the finest
performances yet from the cast and perfect direction accompanying the script. 7/10. 50 words.
This isn’t a big enough bang for a new Doctor, the
threat of the Big Bang isn’t realised well, it’s slightly boring. But there’s a
great surprise reveal, memorable moments, a good performance from Peter Davison
(unusually), great locations, and fab music. And the idea of recursion
(Castrovalva) is perfect. 5/10. 50
words.
This is a bold move – a series based around UNIT.
But it works, oh it works. Nicholas Courtney gives as fine a performance as he
ever gave in the 70s on telly, and the Silurians are a welcome returning enemy.
Realised and directed perfectly, this is an intriguing new UNIT. 9/10. 50 words.
The best story of the first series, this benefits
from Gareth Roberts’ script, which knows exactly what it wants to do and does
it perfectly, dollops of emotion and also drama, cleverly- and well-shot
sequences (in particular the 1964 sequences) and the inclusion of a Graske –
because they’re great. Amazing. 10/10.
50 words.
Murray Gold’s score is fabulous on average story.
It’s not brilliant– the ‘Daleks vs. Cybermen’ thing is a bit fan-boyish, but
there’s one really good thing going for it: Yvonne Hartman. Tracy-Ann Oberman
is the star of the show, fantastic, and Rose’s final goodbye heartbreaking. But
the design is AWFUL. 5/10. 50 words.
Completely evocative of its era in all details
(bar, perhaps, the opening pterodactyl scene) and filled with glorious visuals,
Something Borrowed is the best story
in this series so far, by a mile. The Sixth Doctor, Peri and the returning
villain are realised fantastically in an exciting and evocative story. 10/10. 50 words.
Another interesting episode, as the plot begins to
thicken for Wolfblood. There’s great
acting from all of the leads, and a script that is good if not exceptional. The
CGi is all very good, and the direction is good too from new director Matthew
Evans. Nothing spectacular, but still good. 6/10. 50 words.
Real time. That is a fabulous idea for Doctor Who. And new author Chris
Chibnall writes a rollicking adventure, sweaty and action-packed. There are
several memorable moments, and some creepy ones, with interesting sun-possessed
villains. And the sun’s evil – that’s so great! Good, if you like this sort of
action-adventure. 7/10. 50 words.
This is a rollicking sort of adventure, with good
locations, an interesting plot and a fabulous lead guest appearance from Tim
McInnerny. The CGi is impressive and brainy, and both David Tennant and
Catherine Tate are good, not brilliant. All in all, this has flaws but is an
enjoyable watch. 8/10. 50 words.
The Doctor’s barely in this one, which is bad. I like
Patrick Ness’ novel More Than This
but this just feels a bit not-Who. It’s
an intriguing story – the Truth-Tellers etc,
but the characters are undeveloped, the ending fairly rushed and this feels like
a standalone novel, not Doctor Who. 3/10. 50 words.
It’s the end, and the moment has truly been prepared for. Perhaps Christopher
Bidmead’s script isn’t entirely up to scratch, but it’s complimented by Paddy
Kingsland’s electrifying score, the fantastic acting of Anthony Ainley, and
good editing, lighting and sets. Whilst not the best regeneration story, this
is definitely something. 8/10. 50
words.
This is an interesting story from a writer whose
work can go either way in terms of quality, complete with interesting locations
which are realised well. Cyril Nri couldn’t be more fabulous, and neither could
Daniel Anthony or Anjli Mohindra, in an interesting historical story that works
very well. Good. 7/10. 50 words.
THE ANGELS
TAKE MANHATTAN (2012, Eleventh Doctor, Amy, Rory & River, Doctor Who TV)